Alive in Color: Post Impressionist and Realist Works by Women Artists

Mabel Pugh Arboreal Landscape

Mabel Pugh (1891-1986) Arboreal Landscape Oil on board 7 3/4 x 4 1/2 inches Signed at lower right

(New York, NY) Hawthorne Fine Art is pleased to present Alive in Color: Post-Impressionist and Realist Works by Women Artists. The virtual exhibition is comprised of more than a dozen works in oils, watercolors, and pastels by historic women artists.

Among the work to be shown is Arboreal Landscape, an intimately scaled work by North Carolina native Mabel Pugh (1891-1986). Painted with a limited palette and thick daubs of paint the vertical composition seemingly vibrates with color.

In Yellow Leaves by Alice Lolita Muth (1887-1952) sinuous trees dappled in yellow foliage appear to move and sway before a purple mountain and fields of green. Muth’s bold use of color can also be seen in Panoramic Landscape.

The French-born artist Charlotte Therese Darche (1892-1976) leads us down a narrow cobblestone lane past cast-iron balconies and lush greenery in New Orleans. The artist studied in Paris at the École des Beaux-Arts and the Académie Colarossi before settling in Louisiana in the 1930’s.

Artist Hildegarde H. Hamilton (1898-1970) also found inspiration in her picturesque neighborhood. In 4 Gramercy Park, Mayor Harper’s House, Manhattan. C. 1930 Hamilton captures the red brick façade and intricate cast iron embellishments of the former home of publisher and New York City Mayor James Harper (1795-1869). The two lamps at the foot of the steps signify the home was a mayoral residence and remain at the sight to this day.

In the Pupke’s Garden by Lydia E. Longacre (1870-1951) depicts friend and fellow artist Helen C. Pupke (1868-1933) amongst the tall trees, grasses and shrubs of her verdant Southampton, Long Island garden. Pupke’s father, a prominent coffee and tea merchant, built the Manhattan brownstone that became home to the Russian Tea Room in the 1920’s.

An original member of the Philadelphia Ten, Eleanor Abrams (1885-1967) often spent winters painting in Bermuda. In Garden Steps, Bermuda she captures the effect of gentle sunlight on stairs leading to a pastel shuttered house.

Noted for her scenes of everyday life, Theresa Bernstein (1890-2002) uses loose brushwork in rich earth tones to capture figures in a park setting.

Also included are works by artists Rhoda Holmes Nicholls (1854-1930), Martha Walter (1875-1976), Alice Stackpole (c.1867-1949), Mary Lane McMillan (1883-1976), Hortense Tanenbaum Ferne (1889-1976), Grace Cochran Sanger (1885-1966) and Josephine Miles Lewis (1865-1959).

Hawthorne Fine Art is a gallery specializing in 19th and early 20th century American paintings. The online exhibition can be viewed on the gallery’s website. For more information about Alive in Color: Post-Impressionist and Realist Works by Women Artists and Hawthorne Fine Art please call (212) 731-0550 or visit www.hawthornefineart.com.

Eleanor Abrams Garden Steps, Bermuda

Eleanor Abrams (1885-1967) Garden Steps, Bermuda Oil on canvas board 14 x 9 ¾ inches Signed lower left

Theresa Bernstein Figures by a Fountain

Theresa Bernstein (1890-2002) Figures by a Fountain Oil on panel 4 7/8 x 8 1/8 inches Signed verso

Charlotte Therese Darche New Orleans

Charlotte Therese Darche (1892-1976) New Orleans Oil on canvas 12 x 16 inches Signed lower right

Hortense Tanenbaum Ferne Activity Framed

HORTENSE TANENBAUM FERNE (1889-1976) Activity: Lower Manhattan, New York City, c. 1935 {from Brooklyn Bridge Park} Oil on canvas 18 x 23 inches Signed lower left

Hildegarde H. Hamilton 4 Gramercy Park, Mayor Harpers House, Manhattan, c. 1930

Hildegarde H. Hamilton (1898-1970) 4 Gramercy Park, Mayor Harper’s House, Manhattan, C. 1930 Oil on canvas board 14 x 11 inches Signed lower right Inscribed with location verso

Josephine Miles Lewis  Giverny, France Framed

Josephine Miles Lewis (1865-1959) Giverny, France, 1894 Oil on canvas 31 x 21 inches Signed lower left

Josephine Miles Lewis Red Chrysanthimums unframed

JOSEPHINE MILES LEWIS (1865-1959) Red Chrysanthemums Oil on canvas, 18 x 22 inches, Signed lower right

Lydia Longacre In the Pupke's Garden unframed

Lydia Eastwick Longacre (1870-1951) In the Pupke's Garden Oil on canvas 8 x 10 inches Signed and inscribed with title, verso

Mary Lane McMillan View of Penobscot Bay

Mary Lane McMillan (1883-1976) View of Penobscot Bay Oil on panel 14 5/8 x 10 3/4 inches Signed verso

Alice Lolita Muth Yellow Leaves unframed

Alice Lolita Muth (1887-1952) Yellow Leaves Oil on canvas 20 x 24 inches Signed lower right

Alice Lolita Muth Panoramic Landscape

Alice Lolita Muth (1887-1952) Panoramic Landscape Oil on canvas 30 x 32 inches Signed lower right

Rhoda Holmes Nicholls Massachusetts Houses, 1905-1910

Rhoda Holmes Nicholls (1854-1930) Massachusetts Houses, 1905-1910 Watercolor on paper 12 x 9 inches Inscribed verso

Mabel Pugh Arboreal Landscape

Mabel Pugh (1891-1986) Arboreal Landscape Oil on board 7 3/4 x 4 1/2 inches Signed at lower right

Grace Cochrane Sanger Harbor and Hillside

Grace Cochrane Sanger (1885-1966) Harbor and Hillside Oil on canvas 12 x 9 inches Signed verso

Grace Cochrane Sanger The Red Cloche

Grace Cochrane Sanger (1885-1966) The Red Cloche Oil on canvas board 20 x 16 inches Signed lower left

Alice Stackpole A Flower Border, Battelle House, Mattapoisett, Massachusetts, 1912

Alice Stackpole (c.1867-1949) A Flower Border, Battelle House, Mattapoisett, Massachusetts, 1912 Pastel on paper 12 x 16 inches Signed and dated 1912, lower left Inscribed with location verso

Martha Walter Filtered Sun Luxembourg Gardens

Martha Walter (1875 - 1976) Filtered Sun, Luxembourg Gardens Watercolor on paper 6 x 6 ½ inches Signed lower right